Conductor Paul Van Nevel and his Huelgas Ensemble present the ideal Christmas program, consisting of an atmospheric musical selection of 14th to 19th-century compositions. The Huelgas Ensemble, which has emerged as one of Europe's premiere vocal ensembles dedicated to the performance of music from the Middle Ages and the Renaissance, is the ideal candidate for the job, conveying all the mystery and luster a Christmas celebration calls for. Van Nevel organized his varied musical selection in four distinct themes: ‘The Birth in Bethlehem’, ‘The Crime of Herodes’, ‘The Travel of the Three Kings’, and an Epilogue. In 2015, the full program was performed and recorded at the baroque St. Augustine Church currently known as AMUZ in Antwerp, Belgium. ‘The Birth in Bethlehem’ opens and closes with pieces by unidentified composers, 'Balaam de quo Vaticinans' and 'A Carol for Christmas Eve' respectively. The core of this section is made up of Jacobus Gallus's 'Myrabile Mysterium' and Jerónimo Luca's 'Este nino que es sol del Aurora'. ‘The Crime of Herodes’ opens with 'Hostis Herodes Impie' by an unidentified composer, followed by Jean Mouton's 'Interrogabat Magos Herodes', Giaches De Wert's 'Vox in Rama', and Bertram Luard-Selby's 'A Voice from Ramah was There Sent'. ‘The Travel of the Three Kings Melchior, Caspar and Balthazar’ opens with 'Vincti Presepio' (anonymous), followed by Pierre De Manchicourt's 'Reges Terrae', Jan Pieterszoon Sweelinck's 'Ab Oriente', and Peter Cornelius 'Drei Könige Wandern'. Lastly, the Epilogue consists of 'Quae Stella Sole Pulchrior' (anonymous) and António Marques Lésbio's 'Dexen que Ilore mi Niño'.